Soon after, he got involved with theatre and worked as a theatre artist and did plays with theatre groups like Naseeruddin ShahвЂs вЂMotleyвЂ™ and Manav KaulвЂs вЂAranya.вЂ™ He initially assisted Anurag Kashyap in вЂGangs of WasseypurвЂ™ (2010), where he met вЂMasaanвЂ™ (2015) director Neeraj Ghaywan, who advised him to do theatre. Then, despite getting selected for a job, he refused the offer to pursue his passion for acting. He had the acting skills from his childhood and he used to participate in dramas, skits, and annual day functions in his school.Дuring his teenage years, he used to be an introvert, shy and skinny guy.Дuring his 2nd year of college, he went to a company for an industrial visit, where he realized that he wonвЂ™t be able to do a 9 to 5 job. Vicky Kaushal childhood pic with Hrithik Roshan Wife/Spouse N/A Vicky Kaushal 10 Pics, Photos, Pictures HobbiesДќancing, Travelling, Reading, GymmingДЄffairs/Girlfriends Harleen Sethi (Actress, Anchor) School Sheth Chunilal Damodardas Barfivala High School, MumbaiД¬ollege Rajiv Gandhi Institute of Technology, MumbaiД®ducational QualificationД›achelorвЂ™s degree in Electronics and TelecommunicationsДЇamilyДџather- Sham Kaushal (Action Director) Nominations: Filmfare Award for Best Actor So, hold on to your guns, gamchas and вЂwomaniyasвЂ™.Vicky kaushal shirtless Vicky Kaushal 10 Personal Facts, Biography, WikiДЄwards: National Film Award for Best Actor But beware GOW is not for the weak-hearted.

The electric background score (GV Prakash) keeps the tempo in this drama, and the music (Sneha Khanwalkar) though folkish, is hip and cool. The dialogues are вЂkillerвЂ™, adding more quirkiness to this chaos. With a runtime this long, meandering side tracks and random sub-plots, countless characters, documentary-style narrative backed with black and white montages from actual history, it loses blood in the second half because of the DirectorвЂ™s over-(self)indulgence. This first of a two-part film, is ambitious indeed showing promise of brilliance in parts, but not bullet-proof to flaws. Director Anurag Kashyap, in his trademark style of story- telling - realistic, with strong characters, over-the-top sequences, and unadulterated local flavour (crude maa-behen gaalis galore), gruesome bloody violence and raw humour вЂ“ interestingly spins this twisted tale. Nawazuddin Siddiqui, as a pothead son with a devious mind, even in a brief role leaves a solid impact. Piyush Mishra, as the narrator of this long-winding saga (and Sardar KhanвЂ™s chachha), magnanimously stays in the background, but silently offloads shocking shades of his character. Reemma Sen, with few dialogues shows her curves and contempt with ease. She appears like a mini-handmade bomb, but is quite explosive. The real find in this mine-of-a-cast, boy gang film, is Richa Chaddha. In his acting debut, Tigmanshu Dhulia, with a striking command over his role, is вЂbangвЂ™ on.

He gustily brings to life Sardar Khan, peaking his performance with devilry, crudity and cuss words, while ably toning it with comic moments and a human touch. Manoj Bajpai, in this fully loaded role, is spectacular.

History repeats, in (Francis Ford CopollaвЂ™s)вЂGodfatherвЂ™-style, as the sons-of-Sardar add their meaty parts to this bloody enterprise, of potent men with powerful вЂpistolsвЂ™. While heвЂ™s married to the feisty and hot-tempered Nagma (Richa Chaddha), who bears him three sons (including Nawazuddin as Faizal), he sleeps around, philanders and marries the doosri aurat, Durga (Reemma Sen) a Bong firebrand, no less. HeвЂ™s a hot-gun really, in bloody war and in bed. But revenge grows in the genes son Sardar Khan (Manoj Bajpai), swears (on his bald pate), that he wonвЂ™t grow his mane or rest until he has RamadhirвЂ™s blood on his hands. Growing gang rivalry compels him to flee his territory, and resettle as a mazdoor in Ramadhir SinghвЂ™s (Tigmanshu Dhulia) coal mines, where heвЂ™s betrayed and murdered. And revenge is best served hot, вЂ koylaвЂ™ hot! Shahid Khan (Jaideep Ahlawat), a good-willed- goonda, impersonates the dreaded Sultana daku (the real Gabbar of colonial India) and loots British trains.

In this complex drama, with mobs of men (where you almost forget kitne aadmi the) and myriad shades (mostly dark), the word to remember is Revenge.

Gangs of wasseypur wiki